Royal Armouries testimony
"The Royal Armouries, Britain's oldest museum and the national museum of
arms and armour, is delighted to support Angus and Ross Theatre Company in
the making of their much anticipated production - 'Kings of Cloth of Gold'.
Henry VIII has a strong presence within the Royal Armouries' flagship
museum's at Leeds, where two of his personal armours, including examples
made at his royal armoury at Greenwich by some of the finest craftsmen in
Europe, are on display in the Tournament Gallery. The Field of Cloth of
Gold is a major theme within this gallery telling the story of the
magnificent tournament held by Henry VIII and Francis I of France in 1520.
Working alongside the museum's Curatorial, Visitor Experience and Archive
staff, Angus and Ross will work their magic and bring to life this
significant historical event. The Royal Armouries are pleased to offer the
perfect setting for the play's premier, amongst the authentic arms and
armour of the period."
Kings of Cloth of Gold
By Tony Lidington
Directed by Em Whitfield Brooks
Designed by Ruth Paton
With Emanuel Brierley as King Frances I and Dominic Goodwin as King Henry VIII
The year is 1520. In this brand new family comedy,
Henry VIII of England meets Frances I of France
at the most magnificent tournament ever held:
the 'Field of Cloth of Gold'. (So many pavilions were made of costly gold cloth that it became the byword for extravagance)
These two kings compete to outdo each other in displays of wealth,
wit, feasting and sporting prowess. Each king is proud, intelligent,
and the epitome of chivalry. But who will eventually win this battle of vanity?
This sparkling new physical comedy by Tony Lidington
(Joey - King of Clowns, Dan Leno - The King's Jester)
reunites two actors whose dexterity and onstage chemistry have gained standing ovations across the national touring circuit.
We are particularly thrilled to be working alongside
Royal Armouries on this exciting project.
We are also offering Workshops and Masterclasses to selected venues as part of the tour.
This tour has been generously supported by Arts Council England
About the writer
Tony is a writer, director, performer and broadcaster who is well-known for his exploration of historical themes in performance.
Tony's 1-man shows about Joseph Grimaldi, Dan Leno and Max Wall were critically acclaimed when first broadcast on BBC Radio 4 and then became highly successful stage shows.
'Dan Leno - The King's Jester' was directed by Dominic Goodwin, who also plays Dame in each of Tony's extraordinary pantomimes at Richmond's Georgian
Theatre Royal ('Mother Goose', 'The Adventures of Sinbad' and 'Babes in the Wood').
Tony has recently directed for Exeter's Royal Albert Memorial Museum (RAMM) which has just won the 2012 Museum of the Year, The Georgian Theatre Royal (Richmond),
The Common Players and Exeter University. He has also been artistic director of Wakefield Theatre Royal & Opera House and Fellow in Theatre at Bradford University,
but chose to abandon a more formal career in theatre in favour of his own production company "Promenade Promotions Limited", specialising in British popular entertainment forms.
Tony regularly writes & presents shows for Radio 4: his new series on the founder of the pierrot troupe tradition in England - Clifford Essex, will be broadcast in early 2013.
Working with Angus & Ross:
"Angus & Ross are a company who are not afraid of the theatrical - theatre which is visual, engaging and direct: I like to create visual spectacle as well as rich text which
combines pathos and humour to comment upon present society. I have worked successfully with Dominic on a number of projects, including Dan Leno - The King's Jester, Up Frankie!,
as well as Mother Goose and Sinbad at the Georgian Richmond. We enjoy working together and this will be an opportunity to work with his double act partner, Emanuel and the show's
director Em, to create a demanding 2-hander which is funny, poignant and intriguing
I have long been interested in the way men prepare for battle - as a metaphor for masculinity, the arming of a knight epitomises the ferocity, seriousness, absurdity and vanity
of male attire. I am interested in the perspective that history is able to give us for contemporary themes and a lot of my writing and productions explore how core patterns of
behaviour and social constraint (or lack of) are timeless. In 1520, when the young King Henry VIII of Britain met the young King Francis I of France on the Field of the Cloth
of Gold, on the border between their disputed empires, this was a face-off of epic proportions - not a battle, but an attempt by each one to defy the other in terms of splendour,
power, authority and sheer opulence. It was a struggle for power between states, but it was also a personal struggle between the two most powerful young men on the planet - a cross
between a heavyweight boxing bout and a showdown between Gok Wan & Laurence Llewellyn Bowen... a truly celebrity event!
The play is a two-hander, with each actor playing both a king and a squire. The story provides an historical context for the exploration of contemporary themes of masculinity,
celebrity and foreign relations. The tournament is a stylisation of real politics and combat which provides an apt metaphor for social behaviour and foreign policy".
What makes a man?
Why does he do what he does?
How absurd and terrifying battle is..."
These profound issues are the basis for an absorbing, witty new play by Tony Lidington.